Teardrop Trail Log: June 19, 2017
The star of Pella is the Vermeer Mill — it’s certainly the first thing you notice when you drive into town. Having arrived Saturday evening we were intrigued but could only admire it from the outside. It wasn’t open for tours until Monday morning.
In the Historic Village
One enters the windmill through the Pella Historical Village gift shop. The tours start at regular intervals for whoever is there. We were shown a short film and presentation by Doug Heerema, one of the mill guides. He then showed us another floor of the museum where an astonishing miniature village is located — but more on this in a later post. Riding an elevator to the fifth floor, we were introduced to Jim Brandl, the “molenaar” or miller for a tour of the Vermeer Mill.
The mill is connected to the museum by a wooden bridge, and on it, you find a panoramic view of Pella. Ahead is an enormous ship’s wheel — used to turn the mill structure to direct it into the wind. It was a clear, fine day with a light breeze, and the miller made a few adjustments. The massive cloth-covered sails began turning as we walked around the platform. Moveable barriers prevent absent-minded tourists from walking into the sails which swing by with impressive speed.
Inside, we found a profusion of massive wooden beams supporting the roof of the mill, which rises two more floors above. Equally massive wooden gears turn a large, wooden shaft which turns the mill stones at about eye level. Grain from a hopper is shaken into the center of the top stone and flour falls from a chute to a waiting bag below. A beautiful modern example of an 1850’s “koren molen” (grain mill) that still works today.
Built by the Verbij Hoogmade BV company in the Netherlands and re-assembled in Pella in 2002, the Vermeer Mill stands on a 40-foot-high brick base to reach a height of 124 feet at the tip of the tallest sail. Made of 16 different wood species from 6 countries, the mill supports two, five-foot in diameter, 3500-pound mill stones. 500 pounds of flour can be ground in one hour with a brisk wind. With woods like Purpleheart, Ironwood, Acidwood, Oak, Scots Elm, Teak, Lignumvitae and the exquisite joinery needed to build with them, this is a feast for anyone interested in fine woodworking.
The third floor is a small museum showing Dutch mill technology. Scale models show the mill’s inner workings, while a series of framed prints show the many variations of mill developed for specialized uses.
The second floor is a recreation of the molenaar’s living arrangements. Compact but comfortable, it is the ultimate in thrift and short commute. This way, he was always nearby in case of bad weather to turn the mill cap into the wind. The “bed stede” or bed is interesting. The doors could be closed for warmth, but it was shorter than we’re used to, as people in the 1850’s believed it was unhealthy to sleep lying flat.
The Molenaar’s Home